In today's jungle of social networks it can be hard to decide which one provides the most value. It can be very time consuming to manage all your networks simultaneously, so making sure you're putting your efforts where it matters is key to getting the results you want. Our friends at CDBaby have yet again done a great job explaining how to use Facebook, Youtube, blogs and other social media so that you can connect with your fans.
CDBaby -
Social Marketing Essentials for Musicians: Facebook, Twitter, StumbleUpon & YouTube
Your feedback is of great value to us, whether you're a Social Media guru or just very successful with your online promotion tell us your story & share your thoughts on how to use each medium. And as always - thanks for being part of Jango Airplay.
11 People Have Commented:
My experience with jango internet radio was interesting to say it best. I discovered lot's of marketing info on my band, as well as picking up 3 dozen emails and 457 fans, spent 7 benjamins on radio play and got heard in some 145 countries. But still was awash at how hard it is to get on the charts, you have to spend more to get there provided there is a nitch market for you. If interested to see we are at www.jango.com/music/L+A+Ryder for your review.
thanks!
We set up an account for Vern Gosdin last year just to test it out and we're getting as many hits as we do on the website. Unbelievable!
Thank J.A.
http://thevoiceofcountrymusic.com
http://tweetmysong.com/members/ALLINGATOR.htm
GREAT FEEDBACK WE CAN GET A GRASP ON WHO OUR FAN BASE IS ON A NATIONAL LEVEL , and target them according, THANX
Good read, what I've found as an artist, is that the most important thing in Social Media Networking is the "Social" part. It's lost in the sauce for the most part.
https://www.facebook.com/#!/Striggology
PLEASE For Rebecca Hosking, simply "Like" this page the sort by name, find Rebecca Hosking and download her song, its free and simply, if she gets the MOST VOTES she will be invited to play in HYDE PARK, London!!! VOTE VOTE VOTE!!! http://www.reverbnation.com/hard_rock_rising/411032
I had a break from Jango (and life) for about a year.
Last year 250 credits on Good To Me would consistently get me a popscore in the 90s, occasionally 99 and twice in the top 10.
This year, same song, same targeting, and I've had a 72 and a 78..
What am I missing this year? Is my sound just not as fresh as it was 12 months ago? or is the competition now more numerous and of higher quality?
http://seldomparty.com
Jango is a promotional tool that ive been using for about 8 months and its safe to say that I intend to keep my music available to the millions of listeners that tune in. To discover my music go to http://www.jango.com/music/Dark+Source?l=0
and also http://www.reverbnation.com/darksource
Thanks
It really makes sense to also sign up to SoundExchange.com with all the internet stations. Jango tracks well and reports well. Soundexchange will help get royalties which is somewhat peanuts, but can offest marketing costs and just make you more legit all around.
I would like to know if Jango has ever affiliated with ASCAP, BMI or SESAC? Last time I checked with ASCAP about a year ago, they were still resisting to do a license. However, there used t be something on their info page saying they were affiliated. It is important to let artists and owners of masters know where they stand on this because if there are other copyright owners, they may not want the material up on the site.
thanks to jango i have become a top 10 artist on the pop charts my first week with them i gamed 6 fans and a lot of likes just in one week thankyou yours truely bad headz recordz
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